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Ok April, let’s do this thing!

As long as “this thing” continues to be good news  like I received in today’s mail. I just found out that one of my prints was selected for the Crocker Museum’s annual Art Auction!

I will have a piece of art hanging in a museum.

That is all kinds of kick ass!

And I needed that. Now we just need to get our house sold so that life can be all kinds of wonderful again! Cause March was kind of exhausting. On so many levels. The unplanned and accepted offer we put on a bigger house here in town, putting our house on the market, my friend Lisa passing away, the constant packing and cleaning and showing of house. ugh. All of which means I have not been able to make any art except when at class. Thank god for my printmaking class. Keeping me on the right side of sane.

woodcutSo, let’s hope this one piece of good news rolls into more good news: revised offers and our house under contract. No more Open Houses. No more always being ready for realtors to come through. Then I can get my desk out of storage and get back to work!

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You gotta keep ’em separated

or not so much…

My printmaking class started this week so I’ve been thinking about what images I want to create. Since I am in the “advance” class – 40B, I can pretty much do what I want. And you must have picked up by now that that kind of artistic freedom can be kinda paralyzing for me.  Last semester we learned the following printmaking techniques: drypoint, collagraph, woodcut, and monotypes. And with each new assignment/technique, we were given a theme as a starting off point for our image. I played nicely within the given parameters and was pushed, learned a lot, and made some cool prints.

This time around? I need to write a brief proposal of what I plan to do this semester. What do I plan to do… what do I want to do? I know I want to make more monotypes. That’s kinda a no brainer. I definitely want to do another woodcut! Collagraphs were fun to create, but unless I have a flash of inspiration, I’m not that concerned with making another one. And drypoint… meh. Unless I come up with a really cool drawing, I could skip that too. Inking those plates is hard yo!

But since I knew today would be lecture for the 40A students and I didn’t have any other ideas fully fleshed out, I decided to work on the second drypoint I had started last semester. I never really got the plate to a finished state and I didn’t want to leave it hanging like so many knitting projects. So I was working on the plate when Nick (the instructor) came around the room to check in with everyone and see how their ideas/drawings were coming along. I told him my plan to finish last semester’s drypoint while I work on some ideas for new prints. He nodded and then asked me if I had considered combining printmaking and photography by printing a plate onto an actual photo.

wow

Flashback to a year ago when Randy (my photography professor) suggested I combine my hand-painted negatives (Cliché verre – so like monotype printmaking!) with photo negatives when I do my Independent Study for Photography: Alt Processes.

And here I sit, 4 hours later, with my head spinning trying to figure out how to put these two things together. The same spinning wheels Randy had set in motion. And I still can’t quite see it. It’s not the technical “how” that is stumping me – that is easy – but what does the end result look like? What photo? And how do I change it with the print if the photo is already “complete”? Do I need to take new photos? (The answer is yes, but that has nothing to do with this specific problem.) Do I need to look at it is as a double exposure? Graffiti/vandalism? Adding elements? Blocking things out? ugh!

And I loath and love this place of complete frustration. I know that I will chew on this problem like a dog with a bone. I will lose sleep over it and make myself (and those around me) crazy until I figure it out. But when I do – it’ll be good!

I hope.

Raven collagraph

 “Raven” – collagraph

 

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Septem … what do you mean it’s October?!

hells bells

How did that happen?! I swear I was still writing August on things when suddenly it was October! What even happened in September?!

::consults Facebook wall::

oh. right. September was full of crazy – good and bad – and it flew by. Everyone was back in school – here is photo proof:

2013schoolpics

Wow.

And then there was the headache week from hell that ended with me getting shots in my butt on Day 6. Day 6!! damn. But to spin a positive from all that pain, I did create a couple more pieces of ‘migraine’ art.

A Day 4 painting:

afistintheskull420

And a Day 6 photo became a drypoint that I’m still working on:

day6sm

Of course that was the end of my 29Faces run. That week really wiped me out!

The next weekend had me and Kyle in San Mateo for the 2-day tournament that starts the fall volleyball season. Always fun. And then Ericfish and John came to visit! And that was more fun! And then, just like that, is was October. so yeah. September was a blur and it’s already the 11th! The Halloween decorations have been up for over a week, and its time to think costumes. Someone wants to be a bat.*

 

 
* with over 2 weeks to go, this will most likely change.  I think she should goes as Pig-Pen. 1st grade Erin is the dirtiest Erin yet. And did you hear her snort?

 

 

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The ‘Other’ Printmaking

Mid-August update. I’m old so I’ve been busy painting* and waiting for school to start. For all of us.

Erin has made the switch from The Phoenix School summer camp to Star camp at her new elementary school. Big changes for a big girl! Kyle is all registered for 11th grade, though I think he has already lost his schedule. They both start next week. My semester doesn’t start until the 27th. My big change is no photography class this fall (I’m sure I’ll be sneaking into the darkroom on occassion)! I’m finally taking that Printmaking class I’ve been thinking about for a couple years now. Excited and nervous.

So today I decided to break out the Gelli plate, cut some stencils, and make some monotypes.

These are 8.5 x 11

And these are 5.5 x 8.5

These were printed on a smooth heavy paper. There are a couple of them that I might add some ink to – and a few not posted because they need some additional work.  I’ll probably make a few more tomorrow as I just remembered I have a nice sheet of printmaking paper in the front room! yay!

* I have created a piece for this year’s Artists for the Cure event – I’ll post info and a photo soon! I am really enjoying this month’s True Free Spirit project and am on my second painting. And the Visual Quest class has started so I have a canvas in progress on the easel. So much good stuff going on!

.

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Print this!

Last Saturday I attended a Monoprint wordshop at University Art taught by Tesia Blackburn and it rawked!

According to Wikipedia:

Monoprints are known as the most painterly method among the printmaking techniques, a monoprint is often regarded as a non-editionable kind of print and is essentially a printed painting. The characteristic of this method is that no two prints are alike. The beauty of this medium is also in its spontaneity and its combination of printmaking, painting and drawing media.

Sweet. I absolutely loved the technique! I’ve always been a fan of wordcuts, and have made several linocuts over the years, but this is so versatile and easy to do. A couple pieces of plexiglass, printmaking paper, and Golden Open Acylics and behold~

Tesia Blackburn demonstrating monoprint process.

More of the printingmaking techniques

Working on my second print.

And here are the prints I made:

Get the flash player here: http://www.adobe.com/flashplayer

And right now there is a sheet of 2mil plastic covering my dining room table so that I can make more!

Top 3 photos taken by fellow classmate Patti Wallace.